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Equestrian figure, Dogon Peoples, Mali, 19th-20th century (wrought iron)
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Equestrian figure, Dogon Peoples, Mali, 19th-20th century (wrought iron)
2636057 Equestrian figure, Dogon Peoples, Mali, 19th-20th century (wrought iron) by African School; 19.7x9.5x21 cm; Dallas Museum of Art, Texas, USA; (add.info.: Possibly representing the seventh nommo, the blacksmith who, as thief of fire and bringer of the arts of metal working, is a major Dogon cultural hero.
Such figures are placed on shrines and family altars); The Gustave and Franyo Schindler Collection of African Sculpture, gift of the McDermott Foundation in honor of Eugene McDermott
Media ID 31720334
© The Gustave and Franyo Schindler Collection of African Sculpture, gift of the McDermott Foundation in honor of Eugene McDermott / Bridgeman Images
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This print showcases an exquisite Equestrian figure created by the Dogon Peoples of Mali in the 19th-20th century. Crafted from wrought iron, this sculpture measures 19.7x9.5x21 cm and is currently housed at the Dallas Museum of Art in Texas, USA. The figure is believed to represent the seventh nommo, a significant cultural hero in Dogon mythology known as the blacksmith. As both a thief of fire and a bringer of metalworking arts, this mythological character holds great importance within Dogon culture. Traditionally placed on shrines and family altars, such figures serve as sacred objects for worship and reverence. The stylized depiction of the equestrian rider on horseback adds to its mythical allure. Part of The Gustave and Franyo Schindler Collection of African Sculpture, this artwork was generously gifted by the McDermott Foundation in honor of Eugene McDermott. With its intricate details and historical significance, this piece offers viewers a glimpse into African artistry and mythology during the 19th-20th centuries. Its presence evokes curiosity about ancient traditions while celebrating artistic expression through metalwork.
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