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Material for Pantaloons, Loodiana, Punjab, Piece Goods, from
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Material for Pantaloons, Loodiana, Punjab, Piece Goods, from
870128 Material for Pantaloons, Loodiana, Punjab, Piece Goods, from The Collection of the Textile Manufacturers of India, by John Forbes Watson, published in 1866 (mixed media) by Indian School, (19th century); Harris Museum and Art Gallery, Preston, Lancashire, UK; (add.info.: John Forbes Watson (1827-92) published eighteen volumes containing seven hundred samples of textiles from what was then known as India but which today includes most of South East Asia; most of the samples were taken from the Paris Exposition Universelle of 1855; Forbes Watson worked as a Reporter on the Products of India at the India Museum; ); eHarris Museum and Art Gallery; Indian, out of copyright
Media ID 22458202
© Harris Museum and Art Gallery / Bridgeman Images
Cotton Fabrics Goods Pantaloons Patterned Piece Punjab Sample Samples Swatch Swatches
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EDITORS COMMENTS
The captivating print titled "Material for Pantaloons, Loodiana, Punjab" takes us back to the vibrant textile industry of 19th century India. This mixed media artwork, part of The Collection of the Textile Manufacturers of India by John Forbes Watson, showcases a stunning array of piece goods that were used in the creation of traditional pantaloons. Published in 1866, this masterpiece offers a glimpse into the rich cultural heritage and exquisite craftsmanship that defined Indian textiles during that era. The intricate patterns and designs adorning these cotton fabrics are a testament to the skill and creativity of Indian artisans. John Forbes Watson's meticulous work as a Reporter on the Products of India at the India Museum is evident in this collection. With over seven hundred samples sourced from various regions across South East Asia, he aimed to document and preserve these invaluable pieces for future generations. Displayed at Harris Museum and Art Gallery in Preston, Lancashire, UK, this photograph not only celebrates Indian artistry but also serves as an important historical reference. It reminds us of the significant role textiles played in shaping cultural identities and economic trade routes during colonial times. As we admire this mesmerizing display of swatches and patterns woven with care and precision, we are transported to an era where fabric was more than just material – it was an expression of tradition, beauty, and identity.
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