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Ms L. A. 139-Lisboa fol. 27 The witnesses are left unburied
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Ms L. A. 139-Lisboa fol. 27 The witnesses are left unburied
XJL195849 Ms L.A. 139-Lisboa fol.27 The witnesses are left unburied and their souls ascend to Heaven, from the Gulbenkian Apocalypse, c.1265-70 (vellum) by English School, (13th century); 26.8x21.7 cm; Museu Calouste Gulbenkian, Lisbon, Portugal; English, out of copyright
Media ID 23360584
© Bridgeman Images
Apocalyptic Ascension Bishop Coffer Disorder Doves Illuminated Manuscript Prophesy Prophets Revelations Swords Theft Witness
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EDITORS COMMENTS
This print captures a mesmerizing scene from the Gulbenkian Apocalypse, an illuminated manuscript dating back to the 13th century. Titled "Ms L. A. 139-Lisboa fol. 27 The witnesses are left unburied" this artwork showcases a moment of chaos and disorder in medieval times. In the image, we see a group of male soldiers surrounding a bishop who stands beside a coffer filled with stolen church treasures. Swords are raised high, revealing their intentions to steal and cause mayhem. Meanwhile, prophets prophesy and doves soar above as symbols of peace amidst the turmoil. The composition is richly detailed on vellum, showcasing intricate craftsmanship that brings this apocalyptic narrative to life. The witnesses lay unburied as their souls ascend towards Heaven, symbolizing their martyrdom in these troubling times. This artwork not only serves as a historical document but also invites us to reflect on themes such as theft, revelations, and ascension. It reminds us of the fragility of order in society and how even those entrusted with protecting sacred treasures can succumb to temptation. Displayed at Museu Calouste Gulbenkian in Lisbon, Portugal, this piece offers viewers an opportunity to delve into the medieval world through its stunning illumination techniques and thought-provoking subject matter. As we gaze upon it today, we are reminded of our own responsibility to safeguard truth and justice amidst turbulent times.
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