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Aztec Codex Borbonicus, Tonalamatl, detail depicting the goddess Mayahuel
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Aztec Codex Borbonicus, Tonalamatl, detail depicting the goddess Mayahuel
CHT176642 Aztec Codex Borbonicus, Tonalamatl, detail depicting the goddess Mayahuel seated on an agave plant (vellum) by Pre-Columbian; 39x40 cm; Bibliotheque de l Assemblee Nationale, Paris, France; (add.info.: came to earth with Quetzalcoatl to become a tree; jealous grandmother followed her and split the tree in two, tearing her into pieces; Quetzacoatl buried her remains which grew into the maguey cactus that produces pulque; dancer with a baton with speared hearts; a jar of pulque is depicted in the night sky in the top of the image; ascetic lying beneath a serpent; ); eArchives Charmet; South American, out of copyright
Media ID 22343842
© Archives Charmet / Bridgeman Images
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This print showcases a mesmerizing detail from the Aztec Codex Borbonicus, specifically depicting the goddess Mayahuel. The artwork, created by Pre-Columbian artists, measures 39x40 cm and is currently housed in the Bibliotheque de l'Assemblee Nationale in Paris, France. In this intricate illustration, Mayahuel is seated gracefully on an agave plant made of vellum. According to Aztec mythology, she descended to Earth alongside Quetzalcoatl and transformed into a tree. However, her jealous grandmother pursued her and split the tree in two, tearing Mayahuel apart. Quetzalcoatl then buried her remains which eventually grew into the maguey cactus that produces pulque. The image also features a dancer holding a baton adorned with speared hearts symbolizing sacrifice and devotion. Above them, a jar of pulque can be seen depicted in the night sky. Additionally, an ascetic figure lies beneath a serpent representing spiritual enlightenment or transformation. This detailed codex served as both a pictogram guide for priests and religious calendar for ancient Mexicans. It contains various symbols such as ropes and headdresses that hold significant meaning within Aztec culture. Through this remarkable piece of artistry captured by Bridgeman Images' eArchives Charmet collection, we are transported back in time to witness the rich mythological beliefs held by these indigenous people of South America during pre-Columbian times.
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