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Lichfield Cathedral - West Doorway: red / brown sepia drawing, 27 Aug 1842 (drawing)

Lichfield Cathedral - West Doorway: red  /  brown sepia drawing, 27 Aug 1842 (drawing)


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Lichfield Cathedral - West Doorway: red / brown sepia drawing, 27 Aug 1842 (drawing)

5897359 Lichfield Cathedral - West Doorway: red/brown sepia drawing, 27 Aug 1842 (drawing) by Everitt, Allen Edward (1824-82); 19.1x27.9 cm; The William Salt Library, Stafford, UK; (add.info.: Lichfield Cathedral: West doorway, showing the view inside to the south aisle.); eWilliam Salt Library; English, out of copyright

Media ID 23570722

© William Salt Library / Bridgeman Images

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> Arts > Artists > B > William Brown

> Arts > Realistic drawings > Landscape drawings > Fine art

> Fine Art Finder > Artists > Allen Edward Everitt

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> Historic > Medieval architecture > Cathedrals and churches > Church history


EDITORS COMMENTS
This sepia drawing, created by Allen Edward Everitt in 1842, showcases the magnificent West Doorway of Lichfield Cathedral. The print, now housed at The William Salt Library in Stafford, UK, measures 19.1x27.9 cm and offers a glimpse into the architectural beauty of this historic site. The red-brown hues of the sepia tones lend an air of timelessness to the scene, transporting viewers back to Victorian England. As we gaze upon this artwork, we are drawn into the grandeur and solemnity that emanates from within these ancient walls. The West Doorway stands as a gateway between worlds - both physical and spiritual. Through its intricately carved arches and ornate details, it invites us to step inside and explore what lies beyond. In this particular view captured by Everitt's skilled hand, we are offered a glimpse into the south aisle of Lichfield Cathedral. As our eyes wander through the drawing's delicate lines and shading techniques, we can almost hear whispers echoing through centuries-old stone pillars. This image serves as a testament to human craftsmanship and devotion throughout history. Lichfield Cathedral has stood for over eight centuries as a symbol of faith and artistic excellence. With each stroke of his pen or brush on paper, Everitt immortalizes not only the physical structure but also captures its essence – an enduring beacon that connects past with present.

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