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Portrait of a gentlewoman, XVIII century (oil)
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Portrait of a gentlewoman, XVIII century (oil)
2654998 Portrait of a gentlewoman, XVIII century (oil) by Italian School, (18th century); Museo Adriano Bernareggi, Bergamo, Italy; (add.info.: Bergamo, Museo Bernareggi: " Portrait of a gentlewoman", oil painting, by Bergamo artist (XVIII century).From the mid- eighteenth century, the territory of Bergamo, the Sacred Triduum of the Deadwas introduced. This solemn celebration, lasting three days, generally fell during the winter months, when the break from work in the fields could allow a wide participation. On this occasion, the preaching concerned the last four events which man encounters at the end of his life: death, judgment, heaven or hell. In the church a series of paintings depicting dressed skeletons were hung. They were supposed to remindthe faithful of equality before the death, the vanity of worldly goods and the transience of earthly life.); Ghigo Roli; Italian, out of copyright
Media ID 25147472
© Ghigo Roli / Bridgeman Images
Arte Sacra Cardinal Cardinale Morte Religione Ritratto Sacred Art Scheletro Vanity Xviii Century
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EDITORS COMMENTS
This print showcases a stunning oil painting titled "Portrait of a Gentlewoman, XVIII Century" by an Italian artist from the 18th century. The artwork is housed in the Museo Adriano Bernareggi in Bergamo, Italy. The portrait depicts an elegant woman dressed in attire typical of the time period. Her refined features and gentle expression exude grace and sophistication. This exquisite piece of art provides us with a glimpse into the fashion and style prevalent during the 18th century. The caption also sheds light on an intriguing historical context surrounding this painting. It mentions that during the mid-18th century, Bergamo introduced a solemn celebration called the Sacred Triduum of the Dead. Lasting for three days, this event aimed to remind people about death, judgment, heaven or hell - four inevitable events encountered at life's end. To emphasize these themes, paintings depicting dressed skeletons were hung in churches throughout Bergamo during this occasion. These macabre yet thought-provoking artworks served as reminders of human equality before death and the transient nature of earthly possessions. Overall, this print not only offers us a visual delight but also invites contemplation on mortality and our place in history through its connection to religious traditions and artistic expressions from centuries past.
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