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Valgovinds Song in the Spring
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Valgovinds Song in the Spring
3780062 Valgovinds Song in the Spring by Shaw, Byam (1872-1919); (add.info.: Valgovinds Song in the Spring, poem from The Garden of Kama and other love lyrics from India, by Laurence Hope (pseudonym for Adela Florence Nicolson, b April 9, 1865 - October 4, 1904). First published, 1901. Illustrated by Byam Shaw, b November 13, 1872 - January 26, 1919. Both had lived in India. She is young and very sweet, From the silver on her feet To the silver and the flowers in her hair, .
The Garden of Kama; London, William Heinemann, p.32.); Lebrecht History
Media ID 25495120
© Lebrecht History / Bridgeman Images
Byam Shaw Eastern Erotic Garden Of Kama Laurence Hope Longing Orientalism Poets Sunset Sunsets Inida Literary Arts Poems
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This print titled "Valgovinds Song in the Spring" by Byam Shaw beautifully captures the essence of Laurence Hope's poem from "The Garden of Kama and other love lyrics from India". The image portrays a young, enchanting woman adorned with silver jewelry on her feet and delicate flowers in her hair. Her youthful innocence is palpable as she stands amidst a garden, basking in the warm glow of the setting sun. Shaw's illustration perfectly complements Hope's evocative words, transporting us to an exotic world filled with longing and romance. Both artists had lived in India, which adds an authentic touch to their portrayal of Indian culture and aesthetics. The painting exudes an air of sensuality while maintaining its Edwardian elegance. It reflects the early 20th-century fascination with Orientalism, capturing the allure and mystique associated with Asian cultures during that time. Through this artwork, we are invited into a realm where poetry intertwines with visual artistry. The fusion of literature and illustration creates a harmonious symphony that resonates deeply within our souls. As we gaze upon this mesmerizing piece, we can't help but be transported to distant lands, enveloped by the beauty of nature and captivated by the power of love. It serves as a testament to both Shaw's artistic prowess and Hope's poetic brilliance – reminding us that art has no boundaries when it comes to expressing human emotions across different cultures and eras.
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