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Wheel of the Law, Davaravati Period (stone)
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Wheel of the Law, Davaravati Period (stone)
LIT390019 Wheel of the Law, Davaravati Period (stone) by Thai School; Bangkok National Museum, Bangkok, Thailand; (add.info.: Wheel of Dharma or Wheel of Law is a symbol that has represented dharma, the Buddhas teaching of the path to enlightenment, since the early period of Indian Buddhism; ); Photo eLuca Tettoni; Thai, out of copyright
Media ID 23254340
© Luca Tettoni / Bridgeman Images
Buddhist Concept Doctrine Dvaravati Foliate Motif Motifs Spoke Spokes Justice
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This print showcases the "Wheel of the Law, Davaravati Period" sculpture, a remarkable piece from the Thai School. Housed in the prestigious Bangkok National Museum in Thailand's bustling capital city, this stone carving is a true testament to the rich cultural heritage of Buddhism. The Wheel of Dharma, also known as the Wheel of Law, has been an enduring symbol representing dharma - Buddha's teachings on attaining enlightenment - since ancient times in Indian Buddhism. Its intricate design features a chariot wheel adorned with exquisite floral motifs and eight spokes that represent different aspects of Buddhist doctrine. Every detail on this sculpture tells a story; each motif and spoke holds profound meaning within Buddhist philosophy. The delicate carvings depict plants and foliate patterns that further enhance its beauty and spiritual significance. Ashtamangla or dharmacakra, as it is referred to in Sanskrit, embodies justice and serves as a visual representation of Buddha's teachings reaching all corners of existence. This photograph captures not only the physical craftsmanship but also conveys the concept behind this sacred symbol. With its impeccable composition and attention to detail captured by photographer eLuca Tettoni, this image allows viewers to appreciate both the artistic mastery involved in creating such sculptures and their deep spiritual symbolism. It serves as a reminder of our shared human quest for enlightenment across cultures and generations.
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