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Saint Apollonia, c. 1522-25 (fresco) (detail of 3497192)
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Saint Apollonia, c. 1522-25 (fresco) (detail of 3497192)
3497197 Saint Apollonia, c.1522-25 (fresco) (detail of 3497192) by Luini, Bernardino (c.1480-1532); San Maurizio al Monastero Maggiore, Milan, Italy; (add.info.: Representation of Saint Apolline of Alexandria (Apollonia) View of the Tramezzo between the altar side church and the choir of the convent by Bernardino Luini (1481-1532): altarpiece of the adoration of the Magi - Church of San Maurizio al Monastero Maggiore - Milan, Italy
Milano-Chiesa di San Maurizio al Monastero Maggiore14-Parete divisoria affrescata da Bernardino Luini-Santa Apollonia); Photo eMauro Ranzani; Italian, out of copyright
Media ID 23136528
© Mauro Ranzani / Bridgeman Images
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EDITORS COMMENTS
This print showcases a detailed section of the fresco "Saint Apollonia" created by Bernardino Luini between 1522 and 1525. Located in the San Maurizio al Monastero Maggiore in Milan, Italy, this artwork beautifully depicts Saint Apolline of Alexandria (Apollonia). The image captures her serene expression as she holds a palm branch, symbolizing martyrdom. Luini's skillful brushwork brings out the intricate details of Saint Apollonia's features and attire. The delicate folds of her garments are meticulously rendered, adding depth and realism to the painting. In her hand, she delicately holds tongs that represent her role as the patron saint of dentistry. The fresco is part of an altarpiece depicting the adoration of the Magi within the Church of San Maurizio al Monastero Maggiore. It adorns the tramezzo, which acts as a dividing wall between the church's altar side and choir area. This photograph was captured by eMauro Ranzani and is now available for public viewing without copyright restrictions. Its inclusion in Fine Art Finder allows art enthusiasts worldwide to appreciate Luini's masterful technique and his portrayal of this revered female saint from the 16th century. With its rich historical significance and artistic excellence, this print serves as a testament to both religious devotion and Renaissance artistry at its finest.
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