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Cover of " Les Corbeaux (Paris)", number 173, Satirique en Couleurs, 1908_7_19: July 14! - Anticlericalism - Separation of Church and State, Consequences of Laique Measures/Separation, A dominant Marianne - Marianne, Cures
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Cover of " Les Corbeaux (Paris)", number 173, Satirique en Couleurs, 1908_7_19: July 14! - Anticlericalism - Separation of Church and State, Consequences of Laique Measures/Separation, A dominant Marianne - Marianne, Cures
ICA4875434 Cover of " Les Corbeaux (Paris)", number 173, Satirique en Couleurs, 1908_7_19: July 14! - Anticlericalism - Separation of Church and State, Consequences of Laique Measures/Separation, A dominant Marianne - Marianne, Cures; (add.info.: Cover of " Les Corbeaux (Paris)", number 173, Satirique en Couleurs, 1908_7_19: July 14! - Anticlericalism - Separation of Church and State, Consequences of Laique Measures/Separation, A dominant Marianne - Marianne, Cures); Photo © Caricadoc
Media ID 38479908
© © Caricadoc / Bridgeman Images
Anger Angry Anticlericalism Attrition Bitterness Bliss Charcuterie Food Cheerful Cheerfulness Choking Cold Cuts Furor Gaiety Good Mood Happiness Happy Joys Marianne Meat Merry Physical Destruction Rage A Journal Caricadoc Emotions
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EDITORS COMMENTS
This print captures the cover of "Les Corbeaux (Paris)" from July 14, 1908, showcasing powerful themes of anticlericalism and the separation of church and state in France. The image features a dominant Marianne symbolizing the French Republic, surrounded by various elements representing the consequences of laïque measures.
The vibrant colors and intricate details on this satirical magazine cover evoke a range of emotions, from joy and cheerfulness to anger and bitterness. The juxtaposition of happiness and rage reflects the societal tensions surrounding religion and politics during this period in European history.
The inclusion of food imagery such as charcuterie adds a layer of symbolism to the composition, suggesting themes of attrition and physical destruction. The allegorical figures depicted in this artwork serve as a commentary on the power dynamics between religion, government, and society at that time.
Overall, this print is not just a visual representation but also an expression of complex ideas through caricature. It serves as a reminder of the cultural significance that political satire played in shaping public discourse in early 20th-century France.
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