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Cover of " L'Indiscret", Satirique en N & B, 1904_12_21: Budget Finances - Marianne Maurice Berteaux (1852-1911) Illustration by Th Barn (1882-1939)

Cover of ' L'Indiscret', Satirique en N & B, 1904_12_21: Budget Finances - Marianne Maurice Berteaux (1852-1911) Illustration by Th Barn (1882-1939)


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Cover of " L'Indiscret", Satirique en N & B, 1904_12_21: Budget Finances - Marianne Maurice Berteaux (1852-1911) Illustration by Th Barn (1882-1939)

ICA4939804 Cover of " L'Indiscret", Satirique en N & B, 1904_12_21: Budget Finances - Marianne Maurice Berteaux (1852-1911) Illustration by Th Barn (1882-1939); (add.info.: Cover of " L'Indiscret", Satirique en N & B, 1904_12_21: Budget Finances - Marianne Maurice Berteaux (1852-1911) Illustration by Th Barn (1882-1939)); Photo © Caricadoc

Media ID 38481082

© © Caricadoc / Bridgeman Images

Economy Finance Infantilisation Marianne Nanny Plush Plush Animals Public Garden Toys A Journal Caricadoc


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EDITORS COMMENTS
This striking black and white satirical illustration from the early 20th century captures the essence of political commentary in France. The cover of "L'Indiscret" depicts Marianne, a symbol of the French Republic, alongside Maurice Berteaux, a prominent figure in finance at the time. Illustrated by Th Barn, known for his caricature work, this piece delves into the intricacies of budget finances with a touch of humor. The scene is set in a public garden, where Marianne is portrayed as a nanny tending to an infantilized figure representing government finances. The use of plush animals and toys adds a playful yet thought-provoking element to the composition. Through clever allegory and sharp wit, the artist critiques economic policies and governmental decisions surrounding financial matters. As we gaze upon this historical snapshot frozen in time, we are reminded of the power that political satire holds in shaping public opinion and discourse. This illustration serves as both entertainment and education, shedding light on complex issues through accessible means. It stands as a testament to the enduring relevance of art as a tool for social commentary and reflection on society's values.

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