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CRUZ VAZQUEZ, Manual of the (1750-1792). " Ciego con la guitarra y el perro" (Blindman with guitar and dog). Original drawing for the book " Collection of costumes of Spain", 1777. Brush and wash on laid paper. Academicism. Drawing. SPAIN
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CRUZ VAZQUEZ, Manual of the (1750-1792). " Ciego con la guitarra y el perro" (Blindman with guitar and dog). Original drawing for the book " Collection of costumes of Spain", 1777. Brush and wash on laid paper. Academicism. Drawing. SPAIN
CUL4869861 CRUZ VAZQUEZ, Manual of the (1750-1792). " Ciego con la guitarra y el perro" (Blindman with guitar and dog). Original drawing for the book " Collection of costumes of Spain", 1777. Brush and wash on laid paper. Academicism. Drawing. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Museo de Historia; (add.info.: CRUZ VAZQUEZ, Manual of the (1750-1792). " Ciego con la guitarra y el perro" (Blindman with guitar and dog). Original drawing for the book " Collection of costumes of Spain", 1777. Brush and wash on laid paper. Academicism. Drawing. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Museo de Historia); Photo © Esteban/AIC
Media ID 38479898
© © Esteban/AIC / Bridgeman Images
Academicism Appcultura Aveugle Beggar Begging Blind Blindness Contemporary Art Cripple Disability Disabled Guitar Guitarist Handicape Handicaped Handicapped Person Infirmities Invalid Madrid Mendiant Mendicant Museo De Historia Popular Tramp Vagabond Western Art
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EDITORS COMMENTS
This drawing by CRUZ VAZQUEZ, Manual of the (1750-1792) titled "Ciego con la guitarra y el perro" (Blindman with guitar and dog) is a poignant representation of life in 18th century Spain. The blind man, depicted with his loyal canine companion, strums his guitar in a scene that evokes both melancholy and resilience.
The intricate brushwork and wash on laid paper showcase Vazquez's skill as an academic artist, capturing the essence of poverty and society during this historical period. The details in the man's clothing, the expression on his face, and the presence of his dog all add layers of complexity to this portrait.
Through this drawing, Vazquez sheds light on themes of disability, music, and companionship. The inclusion of a beggar or tramp further emphasizes the harsh realities faced by individuals living on the margins of society at that time.
Displayed at Museo de Historia in Madrid, this piece serves as a reminder of the power art has to reflect cultural norms and societal issues. It invites viewers to contemplate not only the visual beauty but also the deeper meanings embedded within each stroke of Vazquez's hand.
Overall, "Ciego con la guitarra y el perro" is a striking example of Western art from the 18th century that continues to resonate with contemporary audiences today.
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