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La Caricature (1830) politique, Satirique en N & B, 1831_3_3: Liberte (Francoise Desiree) daughter of the people, born in Paris on 27 July 1830 - Just milieu - Marianne, Louis-Philippe - Illustration by Alexandre-Gabriel Decamps (1803-1860)

La Caricature (1830) politique, Satirique en N & B, 1831_3_3: Liberte (Francoise Desiree) daughter of the people, born in Paris on 27 July 1830 - Just milieu - Marianne, Louis-Philippe - Illustration by Alexandre-Gabriel Decamps (1803-1860)


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La Caricature (1830) politique, Satirique en N & B, 1831_3_3: Liberte (Francoise Desiree) daughter of the people, born in Paris on 27 July 1830 - Just milieu - Marianne, Louis-Philippe - Illustration by Alexandre-Gabriel Decamps (1803-1860)

ICA4930167 La Caricature (1830) politique, Satirique en N & B, 1831_3_3: Liberte (Francoise Desiree) daughter of the people, born in Paris on 27 July 1830 - Just milieu - Marianne, Louis-Philippe - Illustration by Alexandre-Gabriel Decamps (1803-1860); (add.info.: La Caricature (1830) politique, Satirique en N & B, 1831_3_3: Liberte (Francoise Desiree) daughter of the people, born in Paris on 27 July 1830 - Just milieu - Marianne, Louis-Philippe - Illustration by Alexandre-Gabriel Decamps (1803-1860)); Photo © Caricadoc

Media ID 38480570

© © Caricadoc / Bridgeman Images

Bourgeoisie Chain Hindrance Infantilisation Marianne Caricadoc Religious Role


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EDITORS COMMENTS
This print from La Caricature (1830) politique captures the essence of political satire in 19th century France. The illustration by Alexandre-Gabriel Decamps depicts Liberte (Francoise Desiree), the daughter of the people, born in Paris on 27 July 1830. Positioned between Marianne and Louis-Philippe, she represents the delicate balance of power during this tumultuous period. The image is rich with symbolism, showcasing themes of nobility, press freedom, and societal chains. Marianne, a symbol of liberty and reason in French culture, stands tall next to Louis-Philippe I, highlighting the tension between authority and democracy. The presence of a child adds an element of innocence amidst the political turmoil. Decamps' intricate engraving skillfully conveys the complexities of French society at that time. The use of black and white enhances the stark contrast between light and shadow, mirroring the dichotomy between progress and oppression. As we gaze upon this historical artwork, we are reminded of the enduring struggle for freedom and equality that has shaped our world today. It serves as a poignant reminder that even in times of uncertainty, hope can still prevail.

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