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The red lily of Anatole France (1844 - 1924), 1894. A couple kisses in front of a screen

The red lily of Anatole France (1844 - 1924), 1894. A couple kisses in front of a screen


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The red lily of Anatole France (1844 - 1924), 1894. A couple kisses in front of a screen

GIA4762505 The red lily of Anatole France (1844 - 1924), 1894. A couple kisses in front of a screen. Illustration by Auguste FranAzois Gorguet (1862 - 1927). by Gorguet, Auguste Francois (1862-1927); Private Collection; (add.info.: The red lily of Anatole France (1844 - 1924), 1894. A couple kisses in front of a screen. Illustration by Auguste FranAzois Gorguet (1862 - 1927).); eGiancarlo Costa; French, out of copyright

Media ID 23734346

© Giancarlo Costa / Bridgeman Images

Adultere Anatole 1844 1924 Infidelite Kiss Romanticism Love Screen


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The Red Lily of Anatole France - A Captivating Tale of Love and Betrayal

EDITORS COMMENTS
. In this enchanting print, we are transported to the romantic world of Anatole France's novel, "The Red Lily". Illustrated by Auguste Francois Gorguet, it captures a poignant moment between two lovers in 19th-century France. A couple stands before an ornate screen, their passionate embrace frozen in time. Their lips meet tenderly as they share a stolen kiss, oblivious to the world around them. The intricate details of their clothing and the delicate expressions on their faces reveal the intensity of their emotions. As we delve into the narrative behind this scene, we uncover a tale of love and betrayal that unfolds within the pages of Anatole France's literary masterpiece. The red lily symbolizes both passion and infidelity, hinting at the complexities that lie ahead for these star-crossed lovers. Gorguet's masterful engraving technique brings every nuance to life - from the intricately designed furniture surrounding them to the subtle play of light and shadow. It is a testament to his skill as an artist and his ability to capture not only physical beauty but also emotional depth. This print serves as a timeless reminder that love can be both intoxicatingly beautiful and tragically flawed. It invites us to immerse ourselves in Anatole France's world where romance intertwines with deceit, leaving us captivated by its allure long after we have finished reading its pages.

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