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Regent Moray arrests his enemies, 1569, illustration from Hutchinson
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Regent Moray arrests his enemies, 1569, illustration from Hutchinson
STC373625 Regent Moray arrests his enemies, 1569, illustration from Hutchinsons Story of the British Nation, c.1923 (litho) by Margetson, William Henry (1861-1940); Private Collection; (add.info.: James Stewart, 1st Earl of Moray (c.1531-70), Regent of Scotland 1567-70; Ordering the arrest of Lord Herries, the Earl of Cassillis, and the Duke of Chatellherault, who refused to acknowledge James VI as King; ); The Stapleton Collection; English, out of copyright
Media ID 22950734
© The Stapleton Collection / Bridgeman Images
Arresting Conference Edinburgh Enemy Stuart Traitors Treason
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EDITORS COMMENTS
The captivating lithograph, "Regent Moray arrests his enemies, 1569" transports us back to a tumultuous era in Scottish history. Created by William Henry Margetson in the early 20th century, this illustration vividly depicts a pivotal moment during James Stewart's reign as Regent of Scotland. Intrigue and political turmoil permeate the scene as we witness Regent Moray issuing orders for the arrest of Lord Herries, the Earl of Cassillis, and the Duke of Chatellherault. These powerful figures had defiantly refused to acknowledge James VI as King, aligning themselves instead with Mary Queen of Scots. The artist skillfully captures the tension and drama surrounding this historical event. The expressions on each character's face reveal their trepidation and defiance as they are confronted by Moray's forces. The grandeur of Edinburgh serves as an imposing backdrop to this high-stakes confrontation. This print not only showcases Margetson's artistic prowess but also provides us with a glimpse into a critical chapter in Scottish history. It reminds us that power struggles and loyalty disputes have long shaped nations' destinies. As we gaze upon this lithograph from Fine Art Finder's private collection, we are transported back to a time when allegiances were tested and loyalties were questioned. It is through such visual representations that we can better understand our past and appreciate the complexities that have shaped our present reality.
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