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The Womens Franchise Bill, Mr Gladstone listening to the Numbers of the Division List from behind the Speakers Chair, Wednesday, 27 April 1892 (engraving)
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The Womens Franchise Bill, Mr Gladstone listening to the Numbers of the Division List from behind the Speakers Chair, Wednesday, 27 April 1892 (engraving)
1039688 The Womens Franchise Bill, Mr Gladstone listening to the Numbers of the Division List from behind the Speakers Chair, Wednesday, 27 April 1892 (engraving) by Hall, Sydney Prior (1842-1922) (after); Private Collection; (add.info.: The Womens Franchise Bill, Mr Gladstone listening to the Numbers of the Division List from behind the Speakers Chair, Wednesday, 27 April 1892. Illustration for The Graphic, 1898.); Look and Learn / Illustrated Papers Collection; English, out of copyright
Media ID 23547418
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Listening Mr Gladstone Numbers Speakers Chair Wednesday William Ewart Gladstone
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EDITORS COMMENTS
This engraving, titled "The Women's Franchise Bill, Mr Gladstone listening to the Numbers of the Division List from behind the Speaker's Chair" transports us back to a significant moment in history. Created by Sydney Prior Hall in 1892, this illustration captures the essence of political intrigue and anticipation. In this scene, we find ourselves amidst a bustling parliamentary session on Wednesday, April 27th. The focus is on William Ewart Gladstone, one of Britain's most prominent politicians at that time. Standing discreetly behind the Speaker's Chair, he listens intently as numbers are read out from the Division List. The atmosphere is charged with tension and expectation as politicians anxiously await the outcome of this crucial vote on The Women's Franchise Bill. This legislation aimed to grant women the right to vote—a monumental step towards gender equality and social progress. Hall skillfully portrays these historic events through his meticulous attention to detail and expressive composition. Through his artistry, we can almost hear whispers among parliamentarians discussing their stance on suffrage for women. This engraving serves as both a visual record of an important moment in British politics and a testament to Hall's talent as an artist. It reminds us of how far society has come in terms of equal rights while highlighting those who fought tirelessly for change—like Mr Gladstone himself—who listened attentively behind that iconic chair all those years ago.
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