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The Three Mr Wiggins s, published by Hannah Humphrey in 1803 (hand-coloured etching)
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The Three Mr Wiggins s, published by Hannah Humphrey in 1803 (hand-coloured etching)
NCO191250 The Three Mr Wiggins s, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); 34.1x24.6 cm; Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright
Media ID 22931166
© Bridgeman Images
Arm In Arm Blue Jacket Boots Breeches Brother Brothers Cravat Dandy Fashionable Dress Gentry Hanoverian Identical Queue Relation Relative Siblings Sideburns Social Satire Striding Tail Coat Top Hat Welsh Werther Alike Stroll Strolling Wiggins
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The Three Mr Wiggins - A Satirical Portrait of Georgian Society
EDITORS COMMENTS
. This hand-coloured etching, published by Hannah Humphrey in 1803, showcases the witty and incisive social satire of James Gillray. Titled "The Three Mr Wiggins" this caricature offers a humorous glimpse into the lives of three brothers who are seemingly identical in appearance but distinct in their fashionable dress. Walking arm in arm, these siblings exude confidence and style as they stride through the streets. Each brother's unique attire reflects their individual personalities and societal roles. From the dandy-like Welsh fop with his flamboyant blue jacket to the refined gentleman donning a tailcoat and top hat, these characters embody different facets of Georgian gentry. Gillray's attention to detail is evident in every element of this engraving – from their lace shirts and sideburns to their meticulously styled wigs. The artist cleverly captures not only fashion trends but also cultural references such as Werther-inspired yellow trousers. Through this satirical portrayal, Gillray invites viewers to reflect on the absurdities and pretensions prevalent within high society during this era. With its sharp wit and playful commentary on family dynamics, "The Three Mr Wiggins" remains an enduring example of Gillray's mastery at blending artistry with social critique. Courtesy of New College, Oxford, this print serves as a window into an era defined by its distinctive fashion choices and complex social hierarchies.
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