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Obese man driving a two-horse carriage in Georgian England. 1831 (engraving)
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Obese man driving a two-horse carriage in Georgian England. 1831 (engraving)
7234774 Obese man driving a two-horse carriage in Georgian England. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: Obese driver and thin woman riding a two-horse carriage in Georgian England. Steering. Handcoloured wood engraving after an illustration by Thomas Rowlandson from W. H. Harrisons The Humourist, a Companion for the Christmas Fireside, Rudolph Ackermann, 19 Strand, London, 1831.); © Florilegius
Media ID 25180624
© Florilegius / Bridgeman Images
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EDITORS COMMENTS
This engraving from 1831 transports us back to Georgian England, offering a glimpse into the everyday life and customs of the time. The image depicts an obese man confidently steering a two-horse carriage, with a thin woman seated beside him. The stark contrast between their appearances immediately draws our attention. The satirical nature of this drawing highlights the fact that obesity was not uncommon during this period in history. It serves as a reflection on society's attitudes towards body image and societal norms at the time. Thomas Rowlandson, renowned for his humorous illustrations, captures the essence of this scene with his skilled hand. The hand-colored wood engraving adds depth and vibrancy to the artwork, allowing us to fully appreciate its intricate details. As we delve deeper into this print, we are reminded that transportation played a significant role in Georgian England. Carriages were not only means of conveyance but also symbols of status and wealth. This fascinating piece offers valuable insights into 19th-century English culture while simultaneously entertaining us with its satirical commentary on societal expectations and perceptions surrounding weight and appearance. It is through such historical artworks that we can gain a better understanding of our past and how it has shaped our present-day perspectives.
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