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London Going out of Town or The March of Bricks and Mortar

London Going out of Town or The March of Bricks and Mortar


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London Going out of Town or The March of Bricks and Mortar

2562216 London Going out of Town or The March of Bricks and Mortar, 1829 (hand-coloured engraving) by Cruikshank, George (1792-1878); Private Collection; The Stapleton Collection; English, out of copyright

Media ID 22590298

© The Stapleton Collection / Bridgeman Images

Bricks Chimney Chimneys Cities Cows Environmental Expansion Factories Fences Fleeing Haystacks Hedges Ladders March Mortar Pipes Pitchforks Pollution Scaffolding Suburbia Suburbs Urbanisation Encroachment Expanding New Build Trowels Urban Sprawl Urbanization


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> Animals > Farm > Cattle > Related Images

> Animals > Mammals > Bovidae > Sheep

> Arts > Artists > C > George Cruikshank

> Arts > Landscape paintings > Cityscape art > Urban cityscapes

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > London > Sights > New River

> Fine Art Finder > Artists > George Cruikshank

> Fine Art Finder > Artists > Thomas Rowlandson

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EDITORS COMMENTS
London Going out of Town or The March of Bricks and Mortar, a captivating hand-coloured engraving by George Cruikshank, captures the essence of urban expansion in 19th-century England. This lively scene depicts the relentless march of progress as London's cityscape spills over into the surrounding countryside. The image showcases an array of elements that symbolize this rapid growth: towering chimneys belching smoke, bustling factories with their pipes and scaffolding, and rows upon rows of new buildings stretching towards the horizon. Amidst it all, we see sheep grazing peacefully while cows wander amidst haystacks - a stark contrast to the encroaching urbanization. Cruikshank's cartoon-like style adds a touch of whimsy to this serious subject matter. Figures wielding trowels and pitchforks represent both construction workers and those protesting against environmental degradation caused by unchecked development. Fences are being hastily erected as residents flee from the expanding city towards quieter suburbs beyond. This print serves as a reminder not only of London's historical transformation but also raises questions about our own modern-day urban sprawl. It prompts us to consider how cities continue to expand at the expense of green spaces and wildlife habitats. As we gaze upon this vibrant depiction, we are reminded that every brick laid represents progress but also carries consequences for our environment. It is through art like Cruikshank's engraving that we can reflect on these complexities and strive for sustainable solutions in our ever-growing cities.

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