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Portrait of Emily Blanche Charlotte, Rose Caroline and Emily Catherine Anne Somerset, daughters of Henry Somerset, 7th Duke of Beaufort. Three young sisters with ringlets in satin dresses with ribbons and lace, ballet shoes. Steel engraving by J
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Portrait of Emily Blanche Charlotte, Rose Caroline and Emily Catherine Anne Somerset, daughters of Henry Somerset, 7th Duke of Beaufort. Three young sisters with ringlets in satin dresses with ribbons and lace, ballet shoes. Steel engraving by J
5912900 Portrait of Emily Blanche Charlotte, Rose Caroline and Emily Catherine Anne Somerset, daughters of Henry Somerset, 7th Duke of Beaufort. Three young sisters with ringlets in satin dresses with ribbons and lace, ballet shoes. Steel engraving by J. Thomson after an illustration by Alfred Edward Chalon from Charles Heaths Portraits of the Children of the Nobility, Longmont, London, 1838. by Chalon, Alfred-Edward (1780-1860) (after); (add.info.: Portrait of the daughters of Henry Somerset, 7th Duke of Beaufor); © Florilegius
Media ID 23711926
© Florilegius / Bridgeman Images
Aristocratic Ballet Shoes Charles Heath Daughters Frills Henry Somerset Ribbons Ringlets Sisters Steel Engraving Thomson Young Girls Younghood Alfred Edward Chalon
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EDITORS COMMENTS
This steel engraving captures the essence of Victorian aristocracy through the portrait of three young sisters, Emily Blanche Charlotte, Rose Caroline, and Emily Catherine Anne Somerset. The daughters of Henry Somerset, 7th Duke of Beaufort, are depicted in their finest attire - satin dresses adorned with ribbons and lace. Their hair cascades down in delicate ringlets as they wear ballet shoes, a symbol of grace and elegance. The artist skillfully portrays the innocence and beauty of these young girls. They hold a basket filled with flowers, adding a touch of whimsy to the scene. Frills and bows accentuate their dresses while bonnets complete their refined appearance. This enchanting image is an exquisite example from Charles Heath's "Portraits of the Children of the Nobility" published in London in 1838. The steel engraving by J. Thomson perfectly captures Alfred Edward Chalon's original illustration. Through this artwork, we catch a glimpse into Victorian society's upper echelons - where wealth and privilege intertwine with tradition and refinement. These young aristocrats represent not only their family but also an entire community shaped by status and lineage. As we admire this portrait today, it serves as a reminder that behind every elegant facade lies stories waiting to be discovered – tales that illuminate both our shared history and individual journeys through time.
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