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The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
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The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
FLO4690445 The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816. by Rowlandson, Thomas (1756-1827); (add.info.: The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.); © Florilegius
Media ID 23324906
© Florilegius / Bridgeman Images
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EDITORS COMMENTS
This handcoloured copperplate print by Thomas Rowlandson, titled "The skeleton of Death helps a large matron onto the fatal Last Stage" is a macabre and thought-provoking piece from 1816. The image depicts an allegorical scene where Death himself assists an overweight woman onto a carriage known as the "Last Stage". This engraving is part of Rowlandson's larger work, "The English Dance of Death" which explores themes of mortality and societal critique. In this particular scene, Rowlandson uses dark humor to comment on the human condition and the inevitability of death. The juxtaposition between the skeletal figure of Death and the large matron emphasizes both her vulnerability and his power over all living beings. The carriage itself symbolizes mortality, with its ominous name suggesting that it is the final stage before death. Rowlandson's meticulous handcolouring adds depth to this already striking image, enhancing its impact on viewers. Through his caricature-like style, he captures not only physical attributes but also social commentary on issues such as population growth and equity in society. Overall, this print serves as a reminder that death is an unavoidable part of life for everyone, regardless of their status or appearance. It invites contemplation about our own mortality while simultaneously showcasing Rowlandson's artistic skill in capturing complex emotions through visual storytelling.
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