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The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
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The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
FLO4690118 The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816. by Rowlandson, Thomas (1756-1827); (add.info.: The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.); © Florilegius
Media ID 23324850
© Florilegius / Bridgeman Images
Allegorie Angleterre Assurance Bureau Cahier Danse Macabre Ecriture Heritage Insurance Investment Legacy Macabre Dance Meuble Mort Notebook Office Plume Richesse Squelette Veuve Widow Allemagne Grande Bretagne
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EDITORS COMMENTS
In this photo print, we witness the unexpected encounter between Ned Freeman and Death himself in an insurance office. The handcoloured copperplate drawing by Thomas Rowlandson brings to life the macabre dance of death that unfolds before our eyes. As Ned Freeman innocently visits the insurance office, little does he know that his fate is about to take a dramatic turn. The skeleton of Death surprises him, leaving behind a widow who will inherit a substantial sum. This allegorical scene serves as a reminder of life's unpredictability and the inevitable presence of death. Rowlandson's intricate engraving captures every detail, from the couple's shocked expressions to the meticulously depicted furniture in the office. The artist skillfully combines elements of caricature and symbolism to convey a profound message about mortality and wealth. This image not only reflects 19th-century British society but also speaks to universal themes such as legacy, investment, and mortality. It invites us to contemplate our own mortality while considering how we choose to allocate our resources during our lifetime. The juxtaposition of life and death in this artwork reminds us that even within mundane settings like an insurance office, profound truths can be revealed. Through its rich symbolism and masterful execution, this print offers viewers a glimpse into both past civilizations and timeless human experiences.
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