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Mounted Chinese ewer and dish, Augsburg, c. 1655-60 (porcelain & silver-gilt
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Mounted Chinese ewer and dish, Augsburg, c. 1655-60 (porcelain & silver-gilt
1153959 Mounted Chinese ewer and dish, Augsburg, c.1655-60 (porcelain & silver-gilt) (see also 1153958) by German School, (17th century); Private Collection; (add.info.: Jingdezhen, China, ewer: ca. 1600, and basin, 1575/1600, ewer converted from flask
Both mounts with mark of Jakob Bachmann
ewer: 30.5cm, case 32cm
dish: 36cm diameter, case 40.5cm); Photo eChristies Images; German, out of copyright
Media ID 22274720
© Christie's Images / Bridgeman Images
Augsburg Bowl Converted Dish Eastern Ewer Export Flask Jingdezhen Matching Mounted Orientalist Silver Gilt Wanli Western Ceramics
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EDITORS COMMENTS
This print showcases a stunning Mounted Chinese ewer and dish, created in Augsburg around 1655-60. The exquisite combination of porcelain and silver-gilt materials adds an air of opulence to this masterpiece. Originally crafted in Jingdezhen, China, the ewer dates back to approximately 1600, while the basin was made between 1575 and 1600. It is fascinating to note that the ewer was converted from a flask into its current form. Both pieces are adorned with the mark of Jakob Bachmann, adding further value and authenticity to this remarkable set. The ewer measures at an impressive height of 30.5cm (with case measuring 32cm), while the dish boasts a diameter of 36cm (with case measuring 40.5cm). The delicate blue patterns on white ceramic beautifully complement the intricate metalwork. This extraordinary fusion of Eastern craftsmanship with Western aesthetics exemplifies the baroque style prevalent during the era. Its orientalist influence reflects Europe's fascination with Asian artistry and culture during this period. Currently held in a private collection, this photograph captures every minute detail for viewers to appreciate without any commercial use restrictions. Bridgeman Images has skillfully preserved this snapshot for art enthusiasts worldwide to admire and delve into its historical significance as it represents both Chinese export ceramics and German silversmithing traditions from centuries ago
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