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Downy woundwort, Stachys germanica. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A
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Downy woundwort, Stachys germanica. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A
FLO4674673 Downy woundwort, Stachys germanica. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.; (add.info.: Downy woundwort, Stachys germanica. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.); © Florilegius
Media ID 38439682
© © Florilegius / Bridgeman Images
16eme Siecle Giorgio Liberale Herbal Herbal Medicine Italie Medical Botany Pietro Andrea Mattioli Venetians Venetie Venise Vincenzo Valgrisi Wolfgang Meyerpick Woodblock Xylograph Downy Woundwort Stachys Germanica
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EDITORS COMMENTS
This exquisite handcoloured woodblock print of Downy woundwort, Stachys germanica, is a true masterpiece from the 16th century. Created by Wolfgang Meyerpick after an illustration by Giorgio Liberale for Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo, this botanical artwork captures the beauty and intricacy of nature in stunning detail.
The delicate lines and vibrant colors bring this medicinal plant to life, showcasing its unique characteristics and importance in herbal medicine. The careful craftsmanship of the woodcut technique adds a sense of timelessness to the image, transporting us back to Renaissance Venice where it was first printed by Vincenzo Valgrisi in 1568.
As we admire this historical botanical illustration, we are reminded of the rich tradition of medical botany and the valuable knowledge passed down through generations. Each element in the composition tells a story – from the intricate leaves to the tiny flowers – inviting us to explore and appreciate the wonders of nature.
This print serves as a testament to human curiosity and ingenuity, capturing not only a plant species but also a moment in time when art and science intersected seamlessly. It is a true treasure that continues to inspire awe and appreciation for our natural world centuries later.
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