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Sarah Louisa Fairbrother in fancy Turkish costume as Abdallah in " Abdallah and 40 Thieves, " 1844. Actress and dancer Fairbrother (1816-1890) was the mistress of Prince George
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Sarah Louisa Fairbrother in fancy Turkish costume as Abdallah in " Abdallah and 40 Thieves, " 1844. Actress and dancer Fairbrother (1816-1890) was the mistress of Prince George
FLO4656793 Sarah Louisa Fairbrother in fancy Turkish costume as Abdallah in " Abdallah and 40 Thieves, " 1844. Actress and dancer Fairbrother (1816-1890) was the mistress of Prince George. Handcoloured lithograph from Thomas Hailes Lacy's " Female Costumes Historical, National and Dramatic in 200 Plates, " London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.; (add.info.: Sarah Louisa Fairbrother in fancy Turkish costume as Abdallah in " Abdallah and 40 Thieves, " 1844. Actress and dancer Fairbrother (1816-1890) was the mistress of Prince George. Handcoloured lithograph from Thomas Hailes Lacy's " Female Costumes Historical, National and Dramatic in 200 Plates, " London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.); © Florilegius
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EDITORS COMMENTS
This stunning handcoloured lithograph captures the talented actress and dancer Sarah Louisa Fairbrother in a mesmerizing Turkish costume as Abdallah in "Abdallah and 40 Thieves" from 1844. Fairbrother, known for her beauty and grace, was not only a skilled performer but also the mistress of Prince George during her time. The intricate details of her costume, complete with vibrant colors and ornate embellishments, showcase the elaborate theatrical productions of the era.
The artist Thomas Hailes Lacy expertly captured Fairbrother's portrayal of Abdallah, bringing to life the character's exotic allure and mysterious charm. Lacy himself was a multifaceted figure in British theatre history, being an actor, playwright, theatrical manager, and publisher.
This print is part of Lacy's collection "Female Costumes Historical, National and Dramatic in 200 Plates," published in London in 1865. Through his work, Lacy sought to preserve the rich heritage of costumes worn by women throughout history on stage and off.
As we gaze upon this enchanting image of Sarah Louisa Fairbrother as Abdallah, we are transported back to a time when theatre was at its most extravagant and captivating. Her performance embodies both elegance and drama, leaving us captivated by her talent and beauty for generations to come.
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