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Nakamura Nakazo II as Prince Koretaka disguised as the farmer Tsuchizo in the play

Nakamura Nakazo II as Prince Koretaka disguised as the farmer Tsuchizo in the play


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Nakamura Nakazo II as Prince Koretaka disguised as the farmer Tsuchizo in the play

2969542 Nakamura Nakazo II as Prince Koretaka disguised as the farmer Tsuchizo in the play Intercalary Year Praise of a Famous Poem (Uruo Toshi Meika no Homare), performed at the Miyako Theatre in the eleventh month, 1794, 1794 (colour woodblock print) by Sharaku, Toshusai (fl.1794-95); 31.7x21.7 cm; The Art Institute of Chicago, IL, USA; Clarence Buckingham Collection; Japanese, out of copyright

Media ID 23135454

© Clarence Buckingham Collection / Bridgeman Images

East Asia East Asian Oban Praise Swords Miyako Theatre Nakamura Nakazo Ii


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EDITORS COMMENTS
This print captures the talented actor Nakamura Nakazo II in his role as Prince Koretaka disguised as the farmer Tsuchizo. The play, titled "Intercalary Year Praise of a Famous Poem" was performed at the Miyako Theatre in November 1794. In this scene, Nakamura Nakazo II embodies the character of Prince Koretaka with remarkable skill and nuance. Dressed as a humble farmer, he exudes both strength and vulnerability, showcasing his versatility as an actor. The vibrant colors of this woodblock print by Sharaku bring the scene to life, highlighting every intricate detail of Nakamura's costume and expression. The sword held firmly in his hand symbolizes power and determination. As we gaze upon this image, we are transported back to 18th-century Japan, where theatre was not only entertainment but also an art form that celebrated tradition and storytelling. The Miyako Theatre served as a platform for talented actors like Nakamura Nakazo II to captivate audiences with their performances. This artwork is part of the Clarence Buckingham Collection at The Art Institute of Chicago, serving as a testament to its historical significance and artistic value. It reminds us of the rich cultural heritage found within Japanese theater and invites us to appreciate the talent and dedication required to bring these characters to life on stage.

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