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August 1718: Saint Simon (Saint-Simon) (Louis de Rouvroy

August 1718: Saint Simon (Saint-Simon) (Louis de Rouvroy


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August 1718: Saint Simon (Saint-Simon) (Louis de Rouvroy

XEE4407500 August 1718: Saint Simon (Saint-Simon) (Louis de Rouvroy, Duke of) (1675-1755) blocking the passage to the Duke of Maine (Louis Auguste (Louis-Auguste) of Bourbon) (1670-1736). Engraving of the 19th century. In " Histoire de France" by Jules Michelet, 1870. by Unknown Artist, (19th century); Private Collection; (add.info.: August 1718: Saint Simon (Saint-Simon) (Louis de Rouvroy, Duke of) (1675-1755) blocking the passage to the Duke of Maine (Louis Auguste (Louis-Auguste) of Bourbon) (1670-1736), Engraving of the 19th century, In " Histoire de France" by Jules Michelet, 1870); Stefano Bianchetti; out of copyright

Media ID 23729658

© Stefano Bianchetti / Bridgeman Images

Saint Simon Collection Lemage


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EDITORS COMMENTS
This engraving from the 19th century depicts a significant moment in French history. In August 1718, Saint Simon, also known as Louis de Rouvroy, Duke of Saint-Simon (1675-1755), is seen obstructing the path of the Duke of Maine, Louis Auguste of Bourbon (1670-1736). The print is part of "Histoire de France" by Jules Michelet, published in 1870. The image showcases an intense confrontation between two influential figures during the reign of King Louis XIV. Saint Simon's act symbolizes his opposition to the power and influence held by Maine within the royal court. This historical event highlights political rivalries and struggles for control that were prevalent during this period. The artist behind this engraving remains unknown but has skillfully captured the tension and drama surrounding this encounter. The intricate details and expert craftsmanship bring life to this scene from centuries ago. Now preserved in a private collection, this artwork offers us a glimpse into French history through its visual storytelling. It serves as a reminder of how past conflicts and power dynamics have shaped our present society. As we admire this piece by Stefano Bianchetti, we are transported back to August 1718 when these two prominent figures clashed over their ambitions and positions at court.

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