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Corset (view A), 1840-50 (cotton, metal, leather & satin)
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Corset (view A), 1840-50 (cotton, metal, leather & satin)
3073111 Corset (view A), 1840-50 (cotton, metal, leather & satin) by Unknown Artist, (19th century); height: 39 cm; Manchester Art Gallery, UK; (add.info.: Black cotton satin lined with khaki twilled cotton. Fronts each in one piece, shaped to bust by two gussets, two vertical and two diagonal bones, remainder quilted, front edges boned and laced through thirteen metal eyelet holes, metal eyelet hole at top edge; very straight back in one piece, shaped to hip by two gussets each side, fourteen vertical bones, remainder quilted; top edge cut away at underarm, bound with petersham at front and brown leather at back, lower edge bound with navy blue tape; leather patch at centre back inside hem; decorative red stitching along outside waistline and at base of gusset.
Length (front)
height: 39cm
Length (back)
height: 36cm
Quilting is a craft or technique so old that its origins seem to stretch into deepest history. Basic quilting consists of two layers of outer fabric stitched over a lining of softer padding, although cord or thick thread can also be used to form the raised pattern. It was certainly known to the Romans, and the noun "quilt" is derived from the latin "culcita" meaning mattress filled with feathers or soft wool. In the Europe of the Middle Ages, quilting was much used for jerkins or vests worn under heavy armour, or as an actual padded lining to it. By the eighteenth century, quilted garments were popular for warmth and as protection against draughts. Women's decorative petticoats were particularly common, but also cloaks, caps and sleeveless bodices or jumps, as well as bed covers, men's waistcoats, children's caps and staybands and baby's robes. Some items were ready-made in workshops or by outworkers, particularly bed quilts and women's silk petticoats. The London Tradesman (1747) wrote that "quilted petticoats are made mostly by women, and some men, who are employed by the shops but earn little." Designs tended to be either simple geometrics like diamond panes, or more fluid stylised flowers, leaves and feathers; and cotton, linen or silk could provide the outer layer. Sometimes quilted pieces could also be printed or painted to add another decorative veneer, as in the main image from a quilted cloak. In essence, it is a technique which perfectly marries the decorative with the practical.); © Manchester Art Gallery
Media ID 32144454
© Manchester Art Gallery / Bridgeman Images
1840s Boned Corset Corsica Laced Stays Underwear Womens
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EDITORS COMMENTS
This print showcases a stunning corset from the 19th century, known as "Corset (view A)". Crafted with meticulous attention to detail, this exquisite piece is made of cotton, metal, leather, and satin. Its intricate design features black cotton satin lined with khaki twilled cotton. The front of the corset is shaped to accentuate the bust through two gussets and vertical and diagonal bones. The rest of the garment is beautifully quilted for added texture and elegance. The front edges are boned and laced through thirteen metal eyelet holes, while a single metal eyelet hole adorns the top edge. The back of the corset boasts a very straight silhouette shaped to fit the hips using gussets on each side. Fourteen vertical bones provide structure, while quilting adds an extra layer of comfort. At underarm level, the top edge is cut away and bound with petersham at the front and brown leather at the back. Noteworthy details include a leather patch at the center back inside hem and decorative red stitching along outside waistline and base of gusset. This corset exemplifies both practicality and beauty in its design. Quilting has been used for centuries as a technique to create warmth, protection against draughts, or simply as decorative elements in garments like petticoats or waistcoats. It combines functionality with artistry seamlessly. This remarkable print captures not only an exceptional historical artifact but also celebrates craftsmanship that has stood the test of time.
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