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Illustration of Adolphe dit Willette (1857-1926) for the Cover of Le Rire
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Illustration of Adolphe dit Willette (1857-1926) for the Cover of Le Rire
ICA4934151 Illustration of Adolphe dit Willette (1857-1926) for the Cover of Le Rire, 22/02/13 - President of the Republic, Hat, Elysee, Armchair (symbol of power) - Poinscare Raymond by Willette, Adolphe Leon (1857-1926); (add.info.: Illustration of Adolphe dit Willette (1857-1926) for the Cover of Le Rire, 22/02/13 - President of the Republic, Hat, Elysee, Armchair (symbol of power) - Poinscare Raymond); Photo eCaricadoc; French, out of copyright
Media ID 23716728
© Caricadoc / Bridgeman Images
Athena Palace Of The Elysee Punched Raymond 1860 1934 A Journal Caricadoc Journalism Newspapers
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EDITORS COMMENTS
This illustration by Adolphe dit Willette captures the essence of power and authority in French politics during the late 19th century. The image, originally created for the cover of Le Rire, a prominent satirical journal at the time, features Raymond Poincaré, who served as President of the Republic from 1913 to 1920. In this artwork, Poincaré is depicted wearing a distinguished hat and sitting on an armchair, symbolizing his position of influence and leadership. The Elysée Palace can be seen in the background, further emphasizing his role as head of state. Willette's skillful use of caricature adds depth to this portrayal. He cleverly incorporates mythological elements into the illustration by depicting Poincaré with Athena, the Greek goddess associated with wisdom and strategic warfare. This choice suggests that Poincaré possessed both intelligence and strength in navigating political challenges during his presidency. The engraving technique used in this piece highlights Willette's attention to detail and mastery as an artist. Every line contributes to creating a visually striking composition that captures not only Poincaré's likeness but also conveys a sense of grandeur befitting a statesman. Overall, this print serves as a historical artifact that offers insight into French politics at the turn of the 20th century while showcasing Willette's artistic prowess in capturing both physical resemblance and symbolic representation within one compelling image.
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