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Representation of a scene of the piece "Amphitryon"
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Representation of a scene of the piece "Amphitryon"
GIA4793044 Representation of a scene of the piece " Amphitryon" (1668) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740. by French School, (18th century); Private Collection; (add.info.: Representation of a scene of the piece " Amphitryon" (1668) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.); eGiancarlo Costa; French, out of copyright
Media ID 23328580
© Giancarlo Costa / Bridgeman Images
Moli And Xe8 Moliere 1622 1673 Re 1622 1673
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EDITORS COMMENTS
This engraving, dating back to 1740, showcases a scene from the renowned play "Amphitryon" by Jean Baptiste Poquelin dit Moliere. The French School of the 18th century masterfully captures the essence of this theatrical masterpiece in their intricate artwork. The scene depicted in this print transports us to the world of ancient Greece, where gods and mortals intertwine. With meticulous attention to detail, every character is brought to life on paper. Their expressions convey a range of emotions - from confusion and surprise to love and desire - as they navigate through the complexities of mistaken identities and divine intervention. Moliere's genius shines through in his ability to blend comedy with thought-provoking themes. Through witty dialogue and clever plot twists, he explores human nature, societal norms, and the power dynamics between gods and humans. As we gaze upon this enchanting engraving, we are reminded of Moliere's enduring legacy as one of France's greatest playwrights. His works continue to be performed worldwide centuries after his death, captivating audiences with their timeless humor and profound insights into the human condition. This print serves as a testament not only to Moliere's brilliance but also to Giancarlo Costa's skillful interpretation of this iconic scene. It invites us into a world where theater transcends time and space – an eternal reminder that art has the power to transport us beyond our own reality.
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