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Ruggiero on the island of Alcina, - 1851 engraving from the poem Orlando furioso (1516
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Ruggiero on the island of Alcina, - 1851 engraving from the poem Orlando furioso (1516
XEE4151381 Ruggiero on the island of Alcina, - 1851 engraving from the poem Orlando furioso (1516) by Ludovico Ariosto, - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851 by Unknown Artist, (19th century); Private Collection; (add.info.: Roger (Ruggero, Ruggiero) in the island of Alcine (Alcina) - 1851 engraving from " Furious Roland" (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851); out of copyright
Media ID 23310560
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This 19th-century engraving, titled "Ruggiero on the island of Alcina" transports us into the fantastical world of Ludovico Ariosto's epic poem Orlando furioso. Created by an unknown artist and now part of a private collection, this print captures a pivotal moment in the narrative. The scene depicts Ruggiero, also known as Roger or Ruggero, standing on the mysterious island of Alcina. As described in Ariosto's poem, Ruggiero finds himself ensnared by the enchantress Alcina's seductive powers. The artist skillfully portrays this tension between desire and danger through intricate details and dramatic contrasts. With its meticulous lines and delicate shading, this engraving showcases both technical mastery and artistic imagination. Every stroke brings to life the lush vegetation surrounding Ruggiero as he stands at a crossroads: torn between succumbing to temptation or staying true to his quest for honor and love. Published in 1851 as part of Gustave Harvard's edition translated from Italian by Count Tressan, this print serves as a visual testament to Ariosto's enduring literary legacy. It invites viewers to delve deeper into Orlando furioso—a tale filled with knights errant, sorcery, romance, and adventure—and discover why it has captivated readers for centuries. As we gaze upon this remarkable artwork from Bridgeman Images' Fine Art Finder collection, we are reminded that even within static images lies boundless storytelling potential—inviting
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