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San Sebastian and Saint Polycarp destroying idols. The priest Polycarp and Sebastian at the Prefet of Rome (Chromace) who asked them to warn him. Sebastien told him to give up his idols first and give him permission to break them
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San Sebastian and Saint Polycarp destroying idols. The priest Polycarp and Sebastian at the Prefet of Rome (Chromace) who asked them to warn him. Sebastien told him to give up his idols first and give him permission to break them
JLJ4665713 San Sebastian and Saint Polycarp destroying idols. The priest Polycarp and Sebastian at the Prefet of Rome (Chromace) who asked them to warn him. Sebastien told him to give up his idols first and give him permission to break them. Painting by Pedro Garcia de Benabarre (15th century) 1455 Madrid, Prado Museum by Garcia de Benabarre, Pedro (fl.1445-83); Prado, Madrid, Spain; (add.info.: San Sebastian and Saint Polycarp destroying idols. The priest Polycarp and Sebastian at the Prefet of Rome (Chromace) who asked them to warn him. Sebastien told him to give up his idols first and give him permission to break them. Painting by Pedro Garcia de Benabarre (15th century) 1455 Madrid, Prado Museum); Photo © Photo Josse
Media ID 25901086
© Josse / Bridgeman Images
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EDITORS COMMENTS
The print captures a powerful moment in history, depicting the scene of San Sebastian and Saint Polycarp destroying idols. The priest Polycarp and Sebastian stand before the Prefet of Rome, Chromace, who had asked them to warn him. In this dramatic encounter, Sebastien boldly demands that Chromace give up his idols first and grant permission for their destruction. Painted by Pedro Garcia de Benabarre in the 15th century, this artwork is housed in Madrid's Prado Museum. It showcases not only the artist's skill but also highlights an important event within Christian history. The image evokes a sense of holy violence as these two figures confront paganism head-on. Their actions symbolize the triumph of Christianity over idolatry and serve as a testament to their unwavering faith. This painting serves as a reminder of the power religion holds over society during ancient times. It reflects both religious devotion and iconoclasm prevalent during that era. Through its intricate details and vibrant colors, this artwork transports viewers back to 15th-century Spain when Christianity was deeply ingrained in daily life. It offers us a glimpse into an age where religious values shaped every aspect of society. Overall, this image invites contemplation on themes such as faith, devotion, cultural transformation, and religious conflict – making it an invaluable piece within art history.
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