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Thenardiers two daughters, Eponine and Azelma, look at Cosette who received the doll
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Thenardiers two daughters, Eponine and Azelma, look at Cosette who received the doll
XEE4150085 Thenardiers two daughters, Eponine and Azelma, look at Cosette who received the doll Catherine - Illustration by Adrien Marie (1848-1891) for " The miserables - Second part: Cosette" by Victor Hugo (1802-1885) 1862 by Marie, Adrien Emmanuel (1848-91); Private Collection; (add.info.: Thenardiers two daughters, Eponine and Azelma, look at Cosette who received the doll Catherine - Illustration by Adrien Marie (1848-1891) for " The miserables - Second part: Cosette" by Victor Hugo (1802-1885) 1862); Stefano Bianchetti; French, out of copyright
Media ID 23708880
© Stefano Bianchetti / Bridgeman Images
Doll Hugo Jealousy Victor 1802 1885
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EDITORS COMMENTS
In this illustration by Adrien Marie, we are transported into the world of Victor Hugo's "Les Misérables". The print showcases Thenardier's two daughters, Eponine and Azelma, as they gaze enviously at Cosette. It is evident that Cosette has just received a beautiful doll named Catherine. The scene captures the essence of childhood innocence and longing. Eponine and Azelma's expressions reveal their jealousy towards Cosette, who seems blissfully unaware of their envy. Their eyes fixate on the doll in Cosette's hands, perhaps yearning for a toy as exquisite as Catherine. Adrien Marie skillfully portrays the complex emotions within this moment. The vibrant colors bring life to the characters' faces and clothing while highlighting their contrasting personalities. Eponine appears wistful yet resigned, her downturned eyes hinting at unspoken desires. On the other hand, Azelma exudes a more mischievous energy with an arched eyebrow and a sly smile playing on her lips. This engraving not only captures a specific scene from Hugo's masterpiece but also delves into universal themes such as jealousy and desire. It serves as a reminder of how even in times of hardship or poverty, children can still experience moments of innocent joy or covetousness over material possessions. Overall, this enchanting print invites us to reflect on our own experiences with envy during childhood while immersing ourselves in one of literature's most beloved tales -
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