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War of Religions - Iconoclasme - Destruction of sacred objects by heretics (Protestants

War of Religions - Iconoclasme - Destruction of sacred objects by heretics (Protestants


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War of Religions - Iconoclasme - Destruction of sacred objects by heretics (Protestants

XEE4156604 War of Religions - Iconoclasme - Destruction of sacred objects by heretics (Protestants) in the 16th century in France - Heretic Iconoclasts in France - Iconoclastic Fury - Protestants Destroy Images of Mary and the Christ-Child - engraving from " L histoire de France racontee A mes grandenfants" - by Francois Guizot - -1876 by Anonymous; Private Collection; (add.info.: War of Religions - Iconoclasme - Destruction of sacred objects by heretics (Protestants) in the 16th century in France - Heretic Iconoclasts in France - Iconoclastic Fury - Protestants Destroy Images of Mary and the Christ-Child - engraving from " L histoire de France racontee A mes grandenfants" - by Francois Guizot - -1876); Stefano Bianchetti; out of copyright

Media ID 23311624

© Stefano Bianchetti / Bridgeman Images

Multiple People Protestant Protestantism Reform Religious Reform Scale Vandal War Of Religions Christendom


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EDITORS COMMENTS
This print captures a significant moment in history known as the War of Religions - Iconoclasme. The image depicts the destruction of sacred objects by heretics, specifically Protestants, during the 16th century in France. The engraving from "L'histoire de France racontée à mes grandenfants" by Francois Guizot, published between 1872 and 1876, showcases the intensity and fervor of this period. In this scene, we witness a group of Protestant iconoclasts unleashing their fury upon religious imagery. With determination etched on their faces, they destroy images depicting Mary and the Christ-Child. This act symbolizes their rejection of traditional Catholic practices and represents a pivotal moment in religious reform. The composition is filled with tension as multiple people engage in acts of vandalism within a church setting. The scale of destruction is evident through shattered carvings strewn across the floor. Each figure wields an instrument to dismantle these sacred objects that once held great significance within Christendom. Through Stefano Bianchetti's lens, we are transported back to this tumultuous time when religious divisions ran deep. This powerful photograph serves as a reminder of how faith can ignite conflict but also highlights humanity's capacity for change and transformation throughout history.

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