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The Wood Has Ears, The Field Has Eyes par Bosch, Hieronymus (c. 1450-1516)
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The Wood Has Ears, The Field Has Eyes par Bosch, Hieronymus (c. 1450-1516)
FIA5404822 The Wood Has Ears, The Field Has Eyes par Bosch, Hieronymus (c. 1450-1516). Pen, brown Indian ink on paper, size : 20, 2x12, 7, c. 1500-1515, Staatliche Museen, Berlin by Bosch, Hieronymus (c.1450-1516); Staatliche Museen, Berlin, Germany; Photo eFine Art Images; Netherlandish, out of copyright
Media ID 22778608
© Fine Art Images / Bridgeman Images
Bird Of Prey Hearing Maxim Spying Voyeurism Flemish Art Netherlands Holland Dutch
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EDITORS COMMENTS
This print showcases "The Wood Has Ears, The Field Has Eyes" by the renowned artist Hieronymus Bosch. Created between 1500 and 1515, this pen and brown Indian ink drawing is housed in the Staatliche Museen in Berlin, Germany. In this intricate artwork, Bosch invites us into a mystical world where nature possesses an uncanny awareness. The maxim depicted here reminds us that even in seemingly silent woods and vast fields, there are hidden eyes watching our every move. A sense of voyeurism pervades as we witness a bird of prey perched on a tree branch, its piercing gaze fixated on something below. Bosch's meticulous attention to detail brings forth the idea that not only do these landscapes have eyes but also ears. The owl featured prominently symbolizes wisdom and keen perception with its large round eyes and heightened hearing abilities. Its presence suggests that nothing escapes its watchful scrutiny. As we delve deeper into this artwork, we contemplate the power of sight and hearing as essential senses for both survival and understanding our surroundings. Through his masterful technique rooted in Flemish art traditions, Bosch transports us to a time when renaissance ideals were flourishing in Dutch society. This remarkable piece serves as a testament to Bosch's artistic genius while offering viewers an opportunity to reflect upon their own perceptions of reality within the natural world.
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