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Adam seated between three angels; one of them has an apple in hand. Illustration of Canto XXXII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence
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Adam seated between three angels; one of them has an apple in hand. Illustration of Canto XXXII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence
3561269 Adam seated between three angels; one of them has an apple in hand. Illustration of Canto XXXII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.; (add.info.: Parma
1875
Date of Artwork: 1875 ca.
Photographer: Saccani, Carlo); Alinari Archives, Florence
Media ID 38148664
© Alinari Archives, Florence / Bridgeman Images
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EDITORS COMMENTS
This stunning print captures a moment from Canto XXXII of Dante Alighieri's Paradiso, where Adam is seated between three angels. One of the angels holds an apple in hand, symbolizing the original sin committed by Adam and Eve in the Garden of Eden. The intricate details in this illustration by Francesco Scaramuzza bring to life the divine imagery described in Dante's epic poem.
The composition of this artwork is truly mesmerizing, with the figures set against a backdrop of cloudy skies and heavenly light. The drapery and poses of the characters exude a sense of grace and beauty that is characteristic of romanticism.
As we gaze upon this scene, we are reminded of the rich symbolism present in religious art throughout history. The apple, often associated with temptation and sin, serves as a powerful reminder of humanity's fall from grace.
This work by Scaramuzza is not only a visual masterpiece but also a profound exploration of Christian themes and allegory. It invites us to reflect on our own relationship with faith, morality, and redemption.
Overall, this print offers a glimpse into a timeless story that continues to captivate audiences around the world. It stands as a testament to both artistic skill and spiritual depth, making it a valuable addition to any collection dedicated to classical literature and religious iconography.
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