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Japanese Shinto gods Amida (dog-headed god on a multi-headed horse) and Xaca (old man seated on cushion). The names reference Amitabha and Shaka, Gautama Buddha, Buddhist deities

Japanese Shinto gods Amida (dog-headed god on a multi-headed horse) and Xaca (old man seated on cushion). The names reference Amitabha and Shaka, Gautama Buddha, Buddhist deities


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Japanese Shinto gods Amida (dog-headed god on a multi-headed horse) and Xaca (old man seated on cushion). The names reference Amitabha and Shaka, Gautama Buddha, Buddhist deities

FLO4622849 Japanese Shinto gods Amida (dog-headed god on a multi-headed horse) and Xaca (old man seated on cushion). The names reference Amitabha and Shaka, Gautama Buddha, Buddhist deities. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.; (add.info.: Japanese Shinto gods Amida (dog-headed god on a multi-headed horse) and Xaca (old man seated on cushion). The names reference Amitabha and Shaka, Gautama Buddha, Buddhist deities. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.); © Florilegius

Media ID 38449166

© © Florilegius / Bridgeman Images

Bouddhiste Buddhist Dieu Japon Japonais Japonaise Japonaises Asie


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EDITORS COMMENTS
This hand-colored copperplate engraving from 1842 showcases two Japanese Shinto gods, Amida and Xaca, who bear striking resemblances to Buddhist deities Amitabha and Gautama Buddha. The intricate details of the print bring these divine figures to life, with Amida depicted as a dog-headed god riding a multi-headed horse, symbolizing power and strength. In contrast, Xaca is portrayed as an old man seated on a cushion, exuding wisdom and serenity. The fusion of Japanese Shinto and Buddhist elements in this artwork highlights the rich cultural tapestry of Japan, where diverse beliefs coexist harmoniously. The names of the gods themselves serve as a bridge between different religious traditions, emphasizing the interconnectedness of spiritual practices across borders. As we gaze upon this historical masterpiece by Andrea Bernieri from Giulio Ferrario's collection "Costumes Antique and Modern of All Peoples," we are transported back in time to an era when art was not just decorative but also served as a means to explore complex philosophical ideas. This print serves as a reminder of the enduring legacy of ancient beliefs that continue to inspire awe and reverence in contemporary audiences worldwide.

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