La Caricature (1830) politique, number 35, Satirique en N & B, 1831_2_24: L'archveque est toujours been farcer - Anticlericalism, Religion - Lust - Eveques - Illustration by Raffet (1804-1860)

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La Caricature (1830) politique, number 35, Satirique en N & B, 1831_2_24: L'archveque est toujours been farcer - Anticlericalism, Religion - Lust - Eveques - Illustration by Raffet (1804-1860)

ICA4930156 La Caricature (1830) politique, number 35, Satirique en N & B, 1831_2_24: L'archveque est toujours been farcer - Anticlericalism, Religion - Lust - Eveques - Illustration by Raffet (1804-1860); (add.info.: La Caricature (1830) politique, number 35, Satirique en N & B, 1831_2_24: L'archveque est toujours been farcer - Anticlericalism, Religion - Lust - Eveques - Illustration by Raffet (1804-1860)); Photo © Caricadoc

Media ID 38272790

© © Caricadoc / Bridgeman Images

Anticlericalism Corset Corsica Crucifix Desorder Eveque Laugh Lingerie Lust Mocking Sexuality Vice Voyeurism Caricadoc Religious Role

EDITORS COMMENTS
This satirical print from La Caricature (1830) politique, number 35, captures the essence of anticlericalism and religious mockery in 19th century France. Created by the talented illustrator Raffet (1804-1860), the illustration titled "L'archevêque est toujours been farcer" is a bold commentary on lust, corruption, and hypocrisy within the clergy. The scene depicts a group of bishops engaging in scandalous behavior, with one bishop even wearing lingerie underneath his robes. The crowd surrounding them laughs and mocks their immoral actions, highlighting the societal disdain for corrupt religious figures during this time period. Raffet's detailed engraving skillfully conveys the themes of voyeurism and vice through subtle imagery such as a crucifix hidden among the chaos. The artist's use of caricature adds an element of humor to an otherwise serious subject matter, making a powerful statement against religious desorder. Overall, this print serves as a poignant reminder of the complexities and contradictions present within organized religion. It challenges viewers to question authority and confront issues of morality and ethics in both past and present societies.

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