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Partial background porcelain: cosmetic pot 1760, cream pot with flowers by Barre 1754, cosmetic pot decorated by Aloncle 1759, tete-a-tete plate by Binet 1760, saucer with flowers by Taillander 1754, and saucer decorated by Binet 1761
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Partial background porcelain: cosmetic pot 1760, cream pot with flowers by Barre 1754, cosmetic pot decorated by Aloncle 1759, tete-a-tete plate by Binet 1760, saucer with flowers by Taillander 1754, and saucer decorated by Binet 1761
FLO4633280 Partial background porcelain: cosmetic pot 1760, cream pot with flowers by Barre 1754, cosmetic pot decorated by Aloncle 1759, tete-a-tete plate by Binet 1760, saucer with flowers by Taillander 1754, and saucer decorated by Binet 1761. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.; (add.info.: Partial background porcelain: cosmetic pot 1760, cream pot with flowers by Barre 1754, cosmetic pot decorated by Aloncle 1759, tete-a-tete plate by Binet 1760, saucer with flowers by Taillander 1754, and saucer decorated by Binet 1761. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.); © Florilegius
Media ID 38447904
© © Florilegius / Bridgeman Images
Background Chine Chineze Cosmetic Cream Crockery Edward Flat Fund Garnier Gillot Partial Paste Plate Porcelain Saucer Sevres Soft Weaning Asiae Asie Barre Binet Chineses Fonds Tete A Tete
EDITORS COMMENTS
This exquisite chromolithograph captures the beauty and elegance of Partial background porcelain from the 18th century. The delicate cosmetic pot from 1760, cream pot adorned with flowers by Barre in 1754, and intricately decorated cosmetic pot by Aloncle in 1759 are just a few of the stunning pieces featured in this print.
The tete-a-tete plate by Binet from 1760, saucer with flowers by Taillander dating back to 1754, and saucer decorated by Binet in 1761 add to the luxurious display of soft paste porcelain from Sevres. Each piece showcases the craftsmanship and artistry that was characteristic of this era.
Created by Edouard Garnier and reproduced through a chromolithograph by Gillot for The Soft Paste Porcelain of Sevres publication in Paris, Maison Quinn in 1891, this print is a true testament to the timeless allure of French porcelain.
Whether displayed individually or as a collection, these pieces evoke a sense of sophistication and refinement that continues to captivate art enthusiasts today. This print serves as a reminder of the intricate details and exquisite designs that define the golden age of porcelain production.
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