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The portrait of the Ogresse, from "Le Rire Rouge", 1915 (engraving)

The portrait of the Ogresse, from 'Le Rire Rouge', 1915 (engraving)


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The portrait of the Ogresse, from "Le Rire Rouge", 1915 (engraving)

PCT4290670 The portrait of the Ogresse, from "Le Rire Rouge", 1915 (engraving); (add.info.: Signed engraving LM from the newspaper "Le Rire rouge", war edition No. 8 of 9 January 1915: The Portrait of the ogresse - a German painter transforms on his canvas the allegory of monstrous and warrior Germany into a poor martyrdom holding an olive branch instead of a sword and flanked by a dove instead of a raptor (eagle or vulture) - the ogresse from Germania gives his instructions: " a martyrdom's face a little healed, eh! It's for the neutrals!" - German army, teuton, hump, neutrality, war paint, tip helmet -); © Patrice Cartier. All rights reserved 2023

Media ID 38447648

© © Patrice Cartier. All rights reserved 2024 / Bridgeman Images

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EDITORS COMMENTS
This striking engraving, titled "The Portrait of the Ogresse" from "Le Rire Rouge" in 1915, captures a powerful allegory of Germany during wartime. The German painter depicted in the artwork transforms the image of monstrous and warrior-like Germany into a figure of martyrdom, holding an olive branch instead of a sword and accompanied by a gentle dove rather than a fierce raptor. The scene is filled with symbolism as the ogresse from Germania gives instructions for the martyrdom's face to be slightly healed, emphasizing a message for neutrals. The imagery reflects themes of war paint, neutrality, and the transformation of traditional symbols associated with power and aggression. Through this satirical drawing, the artist challenges perceptions of Germany during this tumultuous period in history. The use of satire and allegory adds layers of complexity to the portrayal of war and nationalism. Overall, this engraving serves as both a historical artifact from early 20th-century Europe and as a thought-provoking piece that continues to resonate today. It invites viewers to reflect on how art can shape our understanding of conflict and power dynamics.

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