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Othello, Desdemona and Emilia, 1867
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Othello, Desdemona and Emilia, 1867
JAG76145 Othello, Desdemona and Emilia, 1867 by Maclise, Daniel (Croquis, Alfred) (1806-70); 130x87 cm; Johannesburg Art Gallery, South Africa; © Johannesburg Art Gallery; Irish, out of copyright
Media ID 25215360
© Johannesburg Art Gallery / Bridgeman Images
Betrayal Brocade Handkerchief Infidelity Jealousy Maidservant Tragedy Moor Of Venice
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EDITORS COMMENTS
In this print titled "Othello, Desdemona and Emilia, 1867" we are transported to the tragic world of Shakespeare's play. The painting by Daniel Maclise beautifully captures the essence of the story with its intricate details and emotional depth. The scene depicts Othello, Desdemona, and Emilia in a moment of intense drama. Othello, portrayed as a Moor of Venice, stands tall and imposing in his richly embroidered brocade attire. His face reflects a mix of jealousy and anguish as he confronts his wife Desdemona about her alleged infidelity. Desdemona appears fragile yet resolute in her white gown adorned with delicate lace. Her expression is one of innocence and confusion as she tries to defend herself against Othello's accusations. Meanwhile, Emilia, her loyal maidservant, stands nearby with an empathetic gaze that hints at her understanding of the unfolding tragedy. The central focus of the composition is a handkerchief - a symbol that plays a crucial role in unraveling the plot. Its presence adds an air of tension to the scene as it becomes clear that betrayal lies at the heart of this tale. Maclise's masterful brushwork brings these complex emotions to life on canvas. This powerful image serves as a reminder not only of Shakespeare's enduring brilliance but also our own capacity for love, jealousy, betrayal, and ultimately tragedy.
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