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A virago beating a man with a stick. 1831 (engraving)
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A virago beating a man with a stick. 1831 (engraving)
7234792 A virago beating a man with a stick. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: A virago beating a man with a stick. Shoemaker Geoffry Heeltap fleeing from his abusive wife. A Disciplinarian. Handcoloured wood engraving after an illustration by Thomas Rowlandson from W. H. Harrisons The Humourist, a Companion for the Christmas Fireside, Rudolph Ackermann, 19 Strand, London, 1831.); © Florilegius
Media ID 25899594
© Florilegius / Bridgeman Images
Abuse Acouple Boot And Shoe Making Bootmakers Bootmaking Cobbler Cobblers Cobblers Shop Common Life Conjugal Violence Couples Customary Customs Daily Routine Day To Day Domestic Violence Ethnicity Every Day Life Everyday Life Everyday Live Fact Of Society Generalife Grotesque Humdrum Life Ridicule Ridiculous Shoe Maker Shoe Making Shoemaker Shoemakers Violated Violent Daily Life Scene Ethnography Gents Inhabitant Several People Several Persons The Woman
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EDITORS COMMENTS
This engraving by Thomas Rowlandson captures a humorous and satirical scene from 19th century England. Titled "A virago beating a man with a stick" the print depicts shoemaker Geoffry Heeltap desperately fleeing from his abusive wife. Known as a disciplinarian, the formidable woman wields a stick while chasing after her hapless husband. Handcoloured to enhance its visual impact, this wood engraving is part of W. H. Harrison's publication, The Humourist, which served as a delightful companion for Christmas firesides in 1831 London. Rowlandson's illustration showcases his exceptional talent for capturing lively characters and comical situations. The image provides insight into the customs and social dynamics of the time period. It humorously highlights the power dynamics within relationships and challenges traditional gender roles by portraying an assertive woman dominating her husband. With its detailed depiction of clothing, architecture, and facial expressions, this artwork offers viewers an authentic glimpse into early 19th-century England. Bridgeman Images has preserved this historical gem in their private collection, allowing us to appreciate Rowlandson's skillful satire that continues to entertain audiences today. As we admire this piece of British culture from the past, it serves as a reminder that art can both amuse and enlighten us about our shared history.
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