Title Vignette of The Jacobites Journal, 1748 (woodcut & letterpress)

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Title Vignette of The Jacobites Journal, 1748 (woodcut & letterpress)

XJF465182 Title Vignette of The Jacobites Journal, 1748 (woodcut & letterpress) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: The four-sheet Jacobites Journal was published weekly at two pence from 5 December 1747 to 5 November 1748; This satirical newspaper was published by Henry Fielding and the headpiece shows a Scotsman and woman on an ass led by a monk; ); English, out of copyright

Media ID 12908621

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Broadsheet Henry Fielding Publication Scotsman Weekly London Skyline

EDITORS COMMENTS
This print showcases the title vignette of The Jacobites Journal, a satirical newspaper published in 1748. Created by the renowned artist William Hogarth, this woodcut and letterpress piece is a true masterpiece that offers a glimpse into the political and social climate of its time. The headpiece depicts a Scotsman and woman riding on an ass, led by a monk. This cleverly crafted satire symbolizes various elements such as power dynamics, societal norms, and political commentary. As they traverse through the London skyline, their presence evokes both curiosity and amusement. Published weekly for almost a year, The Jacobites Journal was known for its biting wit and sharp criticism of contemporary events. Spearheaded by Henry Fielding, this publication aimed to challenge prevailing ideologies while entertaining readers with its humorous take on politics. The inclusion of John Trotter Plaid's name adds another layer to this artwork's historical significance. As one of the contributors to The Jacobites Journal, his involvement further solidifies its importance within Georgian society. With intricate details and impeccable craftsmanship evident in every stroke of Hogarth's handiwork, this print serves as a testament to his artistic prowess. It not only captures the essence of an era but also invites viewers to delve deeper into the complexities hidden beneath its seemingly lighthearted facade. As we admire this remarkable piece from our private collection today, we are reminded once again that art has always been an influential medium for expressing dissenting voices throughout history.

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