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The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII
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The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII
995614 The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the Divine Comedy by Dante Alighieri, c.1827-38 (engraving) by Blake, William (1757-1827); 40.3x55.5 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: The Divine Comedy (Italian: Divina Commedia) is an epic poem written by Dante Alighieri between 1308 and his death in 1321. It is divided into three parts: Inferno, Purgatorio, and Paradiso.); eFitzwilliam Museum; English, out of copyright
Media ID 22521028
© Fitzwilliam Museum / Bridgeman Images
Alighieri Canto Circle Comedy Corrupt Dante Devil Devils Divine Inferno Mauling Official Officials Purgatory Romanticism Romanticist Satanic Underworld Virgil Winged Xxii
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The Circle of the Corrupt Officials - The Devils Mauling Each Other, Canto XXII
EDITORS COMMENTS
is a captivating print that brings to life one of the most iconic scenes from Dante Alighieri's epic poem, "The Divine Comedy". Created by the renowned artist William Blake in the early 19th century, this engraving showcases his mastery of Romanticism and his deep understanding of Dante's literary masterpiece. In this powerful illustration, we are transported to Purgatory, where corrupt officials face their ultimate punishment. Amidst a chaotic scene filled with winged devils and satanic creatures, these officials are seen locked in a vicious battle with each other. Their once influential positions have been reduced to nothingness as they tear at each other in an eternal struggle for power. Blake's attention to detail is evident in every stroke of his engraving. The expressions on the faces of these fallen characters reflect their torment and despair. Through skillful use of light and shadow, he creates a sense of depth and movement that draws us into this nightmarish realm. This print serves as a reminder that corruption knows no bounds and that those who abuse their power will ultimately face justice. It captures both the dark essence of Dante's Inferno and Blake's own interpretation through Romanticism. Displayed at Fitzwilliam Museum in Cambridge, UK, this artwork stands as a testament to the enduring influence of literature on visual arts. It invites viewers to delve deeper into Dante Alighieri's poetic journey through Hell, P
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