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East End of St Mary Redcliffe (pencil & w / c on paper)

East End of St Mary Redcliffe (pencil & w  /  c on paper)


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East End of St Mary Redcliffe (pencil & w / c on paper)

2831429 East End of St Mary Redcliffe (pencil & w/c on paper) by Delamotte, George Orleans (fl.1809-21); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright

Media ID 22703456

© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images

Bristol Lane St Mary Redcliffe


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > England

> Arts > Portraits > Pop art gallery > Street art portraits

> Europe > United Kingdom > England > Bristol > Bristol

> Europe > United Kingdom > England > Bristol > St George

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > George Orleans Delamotte

> Fine Art Finder > Artists > William Henry Bartlett

> Fine Art Finder > Britain


EDITORS COMMENTS
This print captures the majestic East End of St Mary Redcliffe in Bristol, England. Created by George Orleans Delamotte, this exquisite piece showcases his mastery in pencil and watercolor on paper. The artwork is now housed at the Bristol Museum and Art Gallery, UK. The image transports us to a quaint lane lined with charming British architecture, leading up to the grandeur of St Mary Redcliffe Church. Its towering spires pierce through the sky, commanding attention and awe from all who lay eyes upon it. The street scene depicted here exudes an unmistakable English charm. The meticulous detailing brings life to every brushstroke, capturing the essence of Bristol's cityscape with precision and finesse. As we gaze upon this painting, we are reminded of the rich history that surrounds us. St Mary Redcliffe stands as a testament to centuries past while remaining an integral part of modern-day Bristol. This remarkable piece was generously bequeathed by William Jerdone Braikenridge in 1908 and has since become a treasured possession within the museum's collection. Bridgeman Images allows us to appreciate this masterpiece without any commercial intentions but rather as a celebration of artistry and cultural heritage.

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