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She once, perhaps in village plenty blessed, has wept at tales of innocence distressed (colour litho)

She once, perhaps in village plenty blessed, has wept at tales of innocence distressed (colour litho)


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She once, perhaps in village plenty blessed, has wept at tales of innocence distressed (colour litho)

955976 She once, perhaps in village plenty blessed, has wept at tales of innocence distressed (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: The Deserted Village published by Constable & Company Ltd 1909)

Media ID 31714392

© Bridgeman Images

Deserted Hankey William Lee 1869 1952 Oliver Goldsmith Tales Talking Villagers William Lee Hankey


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EDITORS COMMENTS
The captivating print titled "She once, perhaps in village plenty blessed, has wept at tales of innocence distressed" by William Lee Hankey transports us to a quaint countryside setting. This beautiful colour lithograph depicts a scene inspired by Oliver Goldsmith's renowned poem, The Deserted Village. In this artwork, Hankey skillfully captures the essence of rural life and its inhabitants. A group of women dressed in traditional costumes are gathered around a table, engrossed in conversation. Their animated gestures and expressive faces suggest they are sharing stories that evoke deep emotions. The artist's attention to detail is evident in every element of the composition. From the intricately designed chairs to the carefully arranged tableware, each object adds depth and authenticity to the scene. The soft colors used throughout create a serene atmosphere that complements the nostalgic theme. Hankey's work often explores themes of humanity and empathy towards others' suffering. In this particular piece, he highlights the power of storytelling as a means for connecting people from different walks of life. The woman depicted here may have experienced her own share of hardships but finds solace in empathizing with tales of innocence lost. This remarkable print serves as both an homage to Goldsmith's timeless poem and an invitation for viewers to reflect on their own capacity for compassion. It reminds us that even amidst desolation, human connection can bring solace and hope.

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