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Old Houses, Cheyne Walk, showing Turners House on the extreme left (litho)
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Old Houses, Cheyne Walk, showing Turners House on the extreme left (litho)
7188421 Old Houses, Cheyne Walk, showing Turners House on the extreme left (litho) by Luker, William (1820-92); Private Collection; (add.info.: Old Houses, Cheyne Walk, showing Turners House on the extreme left. Illustration for London City Suburbs As They Are To-day by Percy Fitzgerald, illustrated by W Luker Jr (Leadenhall Press, 1893).); © Look and Learn
Media ID 24695504
© Look and Learn / Bridgeman Images
Avenues Cobblestone Street Common Roads Home Scene Homesteads Lane London Nw Maisonettes Outside View Residential Road Run Down Street Network The City Of London Town Houses Trail City Overview City Scene Dwelling Places External View Landcape Landscaoe Townhouse Townhouses
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EDITORS COMMENTS
This black and white lithograph, titled "Old Houses, Cheyne Walk, showing Turner's House on the extreme left" takes us back to 19th century England. The print showcases a picturesque street scene in London's City Suburbs, offering a glimpse into the architectural beauty of that era. The artist behind this masterpiece is William Luker Jr. , whose attention to detail brings out the charm of these old houses. The focal point of the image is Turner's House, located on the extreme left side. Its presence adds historical significance to this already stunning composition. Published as an illustration for Percy Fitzgerald's book "London City Suburbs As They Are To-day" in 1893, this lithograph captures the essence of a bygone era. It portrays a run-down yet enchanting neighborhood with its cobblestone road and quaint dwellings lining both sides. As we admire this artwork, we are transported back in time to witness London's rich history through its architecture. Each building tells its own story and contributes to the overall cityscape captured within this frame. This print serves as a reminder of how art can preserve moments from our past and allow us to appreciate their beauty even centuries later. It stands as a testament to Luker Jr. 's talent and his ability to capture not just buildings but also emotions embedded within them.
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