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Proof of the Refined Feelings of an Amiable Character, Lately a Candidate for a Certain Ancient City, satire depicting an election candidate assaulting a woman canvasser for soliciting votes for his opponent (engraving)
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Proof of the Refined Feelings of an Amiable Character, Lately a Candidate for a Certain Ancient City, satire depicting an election candidate assaulting a woman canvasser for soliciting votes for his opponent (engraving)
7148307 Proof of the Refined Feelings of an Amiable Character, Lately a Candidate for a Certain Ancient City, satire depicting an election candidate assaulting a woman canvasser for soliciting votes for his opponent (engraving) by Gillray, James (1757-1815) (after); Private Collection; (add.info.: Proof of the Refined Feelings of an Amiable Character, Lately a Candidate for a Certain Ancient City, satire depicting an election candidate assaulting a woman canvasser for soliciting votes for his opponent. Illustration from A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria, by Joseph Grego (Chatto & Windus, London, 1892).); © Look and Learn
Media ID 25904746
© Look and Learn / Bridgeman Images
7 Deadly Sins Anger Angry Castigation Corporal Punishment Election Electioneering Elections Furor General Election Misogyny Punishments Rage Regency 1715 1723 Sentence Seven Deadly Sins Violated Violent Voter Voters Emotions Feeling Punishment
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Proof of the Refined Feelings of an Amiable Character, Lately a Candidate for a Certain Ancient City
EDITORS COMMENTS
is a satirical engraving by James Gillray that captures the tumultuous nature of election campaigns in the 18th century. The image portrays an election candidate physically assaulting a woman canvasser who was soliciting votes for his opponent. In this powerful and thought-provoking artwork, Gillray highlights the darker side of politics and exposes the aggression and violence that can arise during electoral campaigns. The enraged candidate's attack on the female canvasser symbolizes not only his desperation to win but also his disregard for civility and respect. The artist's attention to detail is evident in every stroke, capturing the intense emotions displayed by both characters. The woman's shock and fear are palpable as she tries to shield herself from her assailant, while the candidate's anger radiates through his clenched fists and contorted face. This engraving serves as a reminder that even in earlier times, political discourse could turn ugly and violent. It sheds light on how power-hungry individuals would go to extreme lengths to secure their positions or defeat their opponents. Gillray's work continues to resonate today as it prompts us to reflect on our own political climate. It urges us to consider whether we have truly progressed beyond such aggressive tactics or if they still persist beneath our seemingly refined society.
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