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Puddleur has his oven (steelworker responsible for stirring iron to turn it into iron by
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Puddleur has his oven (steelworker responsible for stirring iron to turn it into iron by
LSE4333991 Puddleur has his oven (steelworker responsible for stirring iron to turn it into iron by burning carbon), in a factory in Jumet (or Djumet, in the city of Charleroi). Engraving by Constant Meunier, to illustrate the story " Belgium", by Camille Lemonnier (1844-1913) Belgian writer. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris. by Meunier, Constantin Emile (1831-1905); Private Collection; (add.info.: Puddleur has his oven (steelworker responsible for stirring iron to turn it into iron by burning carbon), in a factory in Jumet (or Djumet, in the city of Charleroi). Engraving by Constant Meunier, to illustrate the story " Belgium", by Camille Lemonnier (1844-1913) Belgian writer. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.); Photo eLeonard de Selva; Belgian, out of copyright
Media ID 23321276
© Leonard de Selva / Bridgeman Images
M And Xe9 Manufacturing Technology Metallurgy Steel Industry Tier Laborer Metier
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EDITORS COMMENTS
This print captures the essence of industrialization in late 19th century Belgium. The image showcases a Puddleur, a skilled steelworker responsible for stirring iron to transform it into usable material by burning carbon, tending to his oven in a factory located in Jumet (or Djumet) within the city of Charleroi. Engraved by Constant Meunier, a renowned artist of that era, this illustration was commissioned to accompany Camille Lemonnier's story on Belgium. The scene exudes an air of intense labor as the Puddleur diligently stirs the molten iron with focused determination. His rugged appearance and fiery surroundings reflect the harsh conditions these workers endured during this pivotal period of industrial growth. Meunier's attention to detail brings out every nuance and texture, highlighting both the physicality and skill required for such work. Published in Le Tour du monde, nouveau journal des voyages in 1884 under Edouard Charton's editorial guidance, this engraving offers viewers a glimpse into Belgium's thriving industrial landscape at that time. It serves as a testament to both technological progress and human resilience. Leonard de Selva has beautifully captured this historical artwork through his lens, preserving its timeless appeal for generations to come. This print not only pays homage to Belgian craftsmanship but also invites us to contemplate the transformative power of industry on society as a whole.
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