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F. 11r St. Remigius (c. 438-533) Bishop of Rheims, baptising and annointing Clovis I

F. 11r St. Remigius (c. 438-533) Bishop of Rheims, baptising and annointing Clovis I


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F. 11r St. Remigius (c. 438-533) Bishop of Rheims, baptising and annointing Clovis I

XTR192489 F.11r St. Remigius (c.438-533) Bishop of Rheims, baptising and annointing Clovis I (465-511) King of the Franks, from the Grandes Chroniques de France, 1375-79 (vellum) by French School, (14th century); Bibliotheque Municipale, Castres, France; French, out of copyright

Media ID 22341388

© Bridgeman Images

Bapteme Baptism Barrel C05th C06th C5th Capital Chlodwig Christening Early Christian Merovingian Reims Remi


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> Arts > Art Movements > Medieval Art

> Europe > France > Reims

> Europe > France > Royalty

> Fine Art Finder > Artists > French School

> Fine Art Finder > Cezanne

> Fine Art Finder > Manuscripts: Royal


EDITORS COMMENTS
This print showcases a significant moment in history, captured from the pages of the Grandes Chroniques de France. The image depicts F. 11r St. Remigius, the revered Bishop of Rheims from 438 to 533, baptising and anointing Clovis I, King of the Franks (465-511). The scene is rich with symbolism and historical importance. As St. Remigius pours holy water over Clovis I's head from a barrel-shaped vessel, he marks not only the baptism but also the conversion of Clovis I to Christianity. This pivotal event played a crucial role in shaping medieval Europe. Clovis I stands tall and regal as he receives this sacred sacrament, wearing his crown that signifies his royal authority. The manuscript itself is beautifully crafted on vellum by an anonymous French artist during the 14th century. Preserved within Bibliotheque Municipale in Castres, France, this remarkable artwork transports us back in time to witness this early Christian ritual firsthand. It serves as a testament to both religious devotion and political power during this era. Through Bridgeman Images' lens capturing every intricate detail of this masterpiece without any commercial intent or use involved; we are granted access to appreciate its historical significance and artistic brilliance for generations to come

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